How musical expertise shapes speech perception: evidence from auditory classification images
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Summary
It is found that both groups used very similar listening strategies, but the musicians relied more heavily on the two main acoustic cues, at the first formant onset and at the onsets of the second and third formants onsets, which shed light on the level of functional transfer between auditory processing and speech perception.
- Type
- article
- Published
- 2015-09-24
- Cited by
- 31
- References
- 65
- Access
- Open access
- OpenAlex
- https://openalex.org/W2418443507
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:9492807
Keywords
Formant, Perception, Speech perception, Active listening, Computer science
References
- SPEECH AND MUSIC, ACOUSTICS AND CODING, AND WHAT MUSIC MIGHT BE 'FOR'
- Lyon's Cochlear Model
- Introduction. The perception of speech: from sound to meaning
- The music of speech: music training facilitates pitch processing in both music and language.
- Increased auditory cortical representation in musicians
- Brain Structures Differ between Musicians and Non-Musicians
- Musicians have enhanced subcortical auditory and audiovisual processing of speech and music
- Time and frequency analyses of auditory signal detection.
- Morphology of Heschl's gyrus reflects enhanced activation in the auditory cortex of musicians
- The Consequences of Response Nonlinearities for Interpretation of Spectrotemporal Receptive Fields
- Experience-induced Malleability in Neural Encoding of Pitch, Timbre, and Timing
- Plasticity in the adult human auditory brainstem following short-term linguistic training
- Neural Correlates of Rapid Spectrotemporal Processing in Musicians and Nonmusicians
- Superior pre-attentive auditory processing in musicians.
- Template changes with perceptual learning are driven by feature informativeness.
- Validation of a clinical aberrometer
- Absolute pitch: a model for understanding the influence of genes and development on neural and cognitive function
- Neural processing of natural sounds
- Gray Matter Differences between Musicians and Nonmusicians
- Psychophysical auditory filter estimates reveal sharper cochlear tuning in musicians.
Cited by
- Identification des indices acoustiques utilisés lors de la compréhension de la parole dégradée
- Direct Viewing of Dyslexics’ Compensatory Strategies in Speech in Noise Using Auditory Classification Images
- Skilled musicians are not subject to the McGurk effect
- Speech Reductions Cause a De-Weighting of Secondary Acoustic Cues
- Speech-in-noise perception in musicians: A review.
- Lay Listeners Can Evaluate the Pitch Accuracy of Operatic Voices
- Musical training sharpens and bonds ears and tongue to hear speech better
- Cracking the social code of speech prosody using reverse correlation
- Speech and Music – Nonlinear Acoustical Decoding in Neurocognitive Scenario
- CLEESE: An open-source audio-transformation toolbox for data-driven experiments in speech and music cognition
- High-Frequency Sensorineural Hearing Loss Alters Cue-Weighting Strategies for Discriminating Stop Consonants in Noise
- MEG Intersubject Phase Locking of Stimulus-Driven Activity during Naturalistic Speech Listening Correlates with Musical Training
- Cogmed Training Does Not Generalize to Real-World Benefits for Adult Hearing Aid Users: Results of a Blinded, Active-Controlled Randomized Trial
- Speech-in-noise perception in musicians and non-musicians: A multi-level meta-analysis.
- Musical Sophistication and Speech Auditory-Motor Coupling: Easy Tests for Quick Answers
- Music Perception Abilities and Ambiguous Word Learning: Is There Cross-Domain Transfer in Nonmusicians?
- A microscopic investigation of the effect of random envelope fluctuations on phoneme-in-noise perception
- Effect of Realistic Test Conditions on Perception of Speech, Music, and Binaural Cues in Normal-Hearing Listeners.
- The relationship between pitch discrimination and fundamental frequency variation: effects of singing status and vocal hyperfunction
- Estimation of efferent inhibition and speech in noise perception on vocal musicians and music sleepers: A comparative study
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