SPEECH AND MUSIC, ACOUSTICS AND CODING, AND WHAT MUSIC MIGHT BE 'FOR'

Keywords

Presentation (obstetrics), Perception, Coding (social sciences), Categorical variable, Music perception

References

• What to Listen for in MusicJohn Hosier, Aarón Copland — 1957
• The Physics of Musical InstrumentsNeville H. Fletcher, Thomas D. Rossing — 1991
• An Introduction to Phonetics and PhonologyAbigail C. Cohn — 1990
• The Processing of Musical Prosody by Musical and Nonmusical ChildrenClaire Gérard, Catherine Auxiette — 1992
• Categorical Perception: The Groundwork of CognitionStevan Harnad — 1990
• Categorical perception in a non-linguistic mode.Simeon Locke, Lucia Kellar — 1973
• Acoustic profiles in vocal emotion expression.Rainer Banse, Klaus R. Scherer — 1996
• A COMPARISON OF RHYTHMIC STRUCTURES IN MUSIC AND LANGUAGER. Jackendoff — 1989

Cited by

• Geste instrumental du violoniste en situation de jeu : analyse et modélisationNicolas Rasamimanana — 2008
• An acoustical approach toward compositionArash Yazdani — 2012
• TEMPORAL PROCESSING IN MUSICIANS AND NON-MUSICIANSPriyanka Kumar, Baljeet Rana, Rajalakshmi Krishna — 2014
• Markov Chain Analysis of Musical Dice GamesJEAN RENÉ DAWIN, Dimitri Volchenkov — 2010
• Acoustic classification and segmentation using modified spectral roll-off and variance-based featuresMarko Kos, Zdravko Kačič, Damjan Vlaj — 2013
• Vocal tract resonances in speech, singing, and playing musical instrumentsJoe Wolfe, Maëva Garnier, John R. Lindsay Smith — 2009
• MUSIC APPRECIATION AND TRAINING FOR COCHLEAR IMPLANT RECIPIENTS: A REVIEWKate Gfeller, Virginia Driscoll, Valerie Looi — 2012
• Perspectives on Gesture–Sound Relationships Informed from Acoustic Instrument StudiesNicolas Rasamimanana, Florian Kaiser, Frédéric Bevilacqua — 2009
• Communication of emotions in vocal expression and music performance: different channels, same code?Patrik N. Juslin, Petri Laukka — 2003
• The fundamental function of musicEmery Schubert — 2009
• The acoustics of registers and resonances in singingJohn R. Lindsay Smith, Nathalie Henrich Bernardoni, Maëva Garnier — 2011
• Stable, quantised pitch in singing and instrumental music: signals, acoustics and possible originsJoe Wolfe, Emery Schubert — 2012
• Audio pattern discovery and retrievalLei Wang — 2012
• Identification des indices acoustiques utilisés lors de la compréhension de la parole dégradéeLéo Varnet — 2015
• Music Perception of Cochlear Implant UsersLooi Vw — 2006
• Speech recall and word recognition depending on prosodic and musical cues as well as voice pitchAnna Rozanovskaya, T. Sokolova — 2011
• Voicelikeness of musical instruments: A literature review of acoustical, psychological and expressiveness perspectivesEmery Schubert, Joe Wolfe — 2016
• How musical expertise shapes speech perception: evidence from auditory classification imagesLéo Varnet, Tianyun Wang, Chloe Peter — 2015
• From idea to acoustics and back again: the creation and analysis of information in musicJoe Wolfe — 2018
• SwishNet: A Fast Convolutional Neural Network for Speech, Music and Noise Classification and SegmentationMd. Shamim Hussain, Mohammad Ariful Haque — 2018

Related papers

• Noise as musicAndrzej Rakowski — 2014
• The Sound/Music Dilemma: Why Is It That All Music Is Sound but Only Some Sounds Are Music?Valerio Velardo — 2014
• Brief talk on the connections of music and literatureBing Xu — 2004
• The Chinese music boxIan Cross — 1993