Location and labor: critical crossroads in global film and television
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- Type
- article
- Published
- 2014-01-02
- Cited by
- 8
- References
- 19
- OpenAlex
- https://openalex.org/W1972798980
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:143338272
Keywords
Negotiation, Work (physics), Sociology, Production (economics), Creative industries
References
- Cinema at the Periphery
- On Location: Canada's Television Industry in a Global Market
- Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV
- Transnational cinema : the film reader
- The Cinema of Small Nations
- From Bombay to Bollywood: The Making of a Global Media Industry
- Media Village Generates Hype, Few Results in Glasgow
- Reality Television and Arab Politics: Contention in Public Life
- Local Hollywood: Global Film Production and the Gold Coast
- Media Capital
- Spaces of Identity: Global Media, Electronic Landscapes and Cultural Boundaries
- Non-Representational Theory: Space, Politics, Affect
- Friction: An Ethnography of Global Connection by Anna Lowenhaupt Tsing
- Performing Cultures in the New Economy
- Made in Scotland
- Friction
- Friction: An Ethnography of Global Connection
- Non-representational theory
Cited by
- Mobile Production: Spatialized Labor, Location Professionals, and the Expanding Geography of Television Production
- What makes them willing collaborators? The global context of Chinese motion picture co-productions
- Regulating the global infrastructure of film labor exploitation
- The English Village in Emma: An Empirical Study of Heritage Dramas, Location Filming and Host Communities
- Close to the ‘local cool’: creative place reputation in Dutch ‘ordinary cities’
- Creative Industry, Creative City and Creativity Spillover in Indonesia: Preliminary research
- The limits of low-cost cinema in Spain: an analysis of the #Littlesecretfilm movement
- Spatial dynamics and fiscal influence on the South Korean film and television industry: an empirical analysis
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