Cinema at the Periphery

Keywords

Movie theater, Filmmaking, National cinema, Film industry, Media studies

References

• Naming the Other: Images of the Maori in New Zealand Film and TelevisionMartin J. Blythe — 1994
• An Accented Cinema: Exilic and Diasporic FilmmakingHamid Naficy — 2001
• Painting Culture: The Making of an Aboriginal High ArtFred Myers — 2002
• Australian National CinemaTom O’Regan — 1996
• Latin American television : a global viewJohn Sinclair — 1999
• The long tail : how endless choice is creating unlimited demandChris Anderson — 2006
• The Cinema EffectSeán Cubitt — 2004
• Unthinking Eurocentrism : Multiculturalism and the MediaM.S. Crofts, Ella Shohat, Robert Stam — 1994
• Ka whawhai tonu matou =: Struggle without endR. J. Walker — 1990
• History, the last things before the lastSiegfried Kracauer — 1969
• The inequality of states : a study of the small power in international relationsAnnette Baker Fox, David Vital — 1968
• Aboriginal Media and the Australian ImaginaryFaye Ginsburg — 1993
• Justice and the Politics of DifferenceIris Marion Young — 1990
• China on Screen: Cinema and NationC. Berry, M. Farquhar — 2006
• Multicultural CitizenshipW. Kymlicka — 2020
• The New Zealand film commission: promoting an industry, forging a national identityGregory A. Waller — 1996
• Flexible CitizenshipGerard Delanty, Aihwa Ong — 1999
• The contemporary Hollywood readerToby Miller — 2009
• Citizens without Rights: Aborigines and Australian CitizenshipBain Attwood, John Chesterman, Brian Galligan — 1998
• Montréal : capitale multimédiaVéronique Bellemare Brière — 1998

Cited by

• Filistin Sinemasında "Sumud" Temasının Ortadoğu'nun Gelecek İnşaasında Yeri ve ÖnemiYasemin Kılınçarslan — 2014
• Introduction: Film Theory in the Age of Neoliberal GlobalizationMasha Salazkina — 2015
• Cinema and Suicide: Necromanticism, Dead-already-ness, and the Logic of the Vanishing PointMichele Aaron — 2014
• Location and labor: critical crossroads in global film and televisionKevin Sanson — 2014
• Just in Time: Erwin Wagenhofer’s Appropriation of the Classical Western Genre in Black Brown White (2011)Nikhil Sathe — 2014
• Uruguay Disappears: Small Cinemas, Control Z Films, and the Aesthetics and Politics of Auto-ErasureDavid Martin‐Jones, María Soledad Montañez — 2013
• Constraints and possibilities: Lima Film Festival, politics and cultural formation in PeruSarah Barrow — 2016
• Small Cinemas: How They Thrive and Why They MatterMette Hjort — 2011
• Interstitial and collective filmmaking in New Zealand: the case of Asian New Zealand filmArezou Zalipour — 2016
• ‘Cuts are not a viable option’: The British Board of Film Classification, Hate Crime and Censorship for Adults in the Digital AgeAlexandra Kapka — 2017
• INDIGENOUS MEDIA FROM U-MATIC TO YOUTUBE: MEDIA SOVEREIGNTY IN THE DIGITAL AGEFaye Ginsburg — 2016
• Peripherality and Humor in the Iranian Art FilmChris Lippard — 2017
• A national cinema’s transnational aspirations? Considerations on “Bollywood”Jyotika Virdi — 2017
• The uterus as a narrative space in contemporary cinema from the AmericasAnne Carruthers — 2017
• Cinema Against DoublethinkDavid Martin‐Jones — 2018
• Introduction: Four Kinds of Minor Cinema (and Some Thoughts on a Fifth)Jerry White — 2018
• Festivales de cine y procesos de internacionalización del cine chileno recienteUniversidad de Chile, María Paz Peirano — 2018
• Mosaic Men: Critical Masculinities and National Identities in Contemporary Subnational CinemasFulvia Massimi — 2018
• The Cultural Practice of Immigrant Filmmaking: Minor Immigrant Cinemas in Sweden 1950–1990Lars Gustaf Andersson, John Sundholm, David E. James — 2019
• Artistas, trabajadores y emprendedores: disyuntivas y desafíos de la profesionalización del cine chilenoMaría Paz Peirano — 2020

Related papers

• The Cinema of Small NationsMette Hjort, Duncan Petrie — 2007
• From modernity to memorial : the changing meanings of the 1930s cinema in NottinghamSarah Stubbings — 2004
• Multifunctional Halls and the Place of Cinema in the European Countryside, 1920-1970Judith Thissen — 2018
• An Accented Cinema: Exilic and Diasporic FilmmakingHamid Naficy — 2001
• Unsettling Sights: The Fourth World on FilmCorinn Columpar — 2010