The Letters of Virginia Woolf

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Art

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Cited by

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• Reticent Autobiography: Henry Green and Christopher Isherwood at the Hogarth PressClaire Battershill — 2016
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• Virginia Woolf on the Outside Looking Down: Reflections on the Class of WomenMary Childers — 2009
• The Pianola in Early Twentieth-Century British Literature: “Really it is a wonderful machine”David Deutsch — 2014
• Expanding Woolf's Gift Economy: Consumer Activity Meets Artistic Production in The DialAmanda Sigler — 2011
• Literature in masks: Katherine Mansfield, Eileen Chang and the possibilities of creative writingW. Shieh — 2013
• Virginia Woolf and the Study of Nature: IndexChristina Alt — 2010
• Women Together/Women Apart: Portraits of Lesbian ParisTirza True Latimer — 2005
• Woolf in the Real WorldKaren V. Kukil — 2005
• Saving the Grotesque: The Grotesque System of Liberation in British Modernism (1922-1932)Matthew Henningsen — 2015
• Modernist Fiction and Vagueness: Philosophy, Form, and LanguageMegan Quigley — 2015
• Writing the 1926 General Strike: Literature, Culture, PoliticsC. Ferrall, D. Mcneill — 2015
• Life before “The New Biography”: Modernist Biographical Methods in The Hogarth Press's “Books on Tolstoi,” 1920–24Claire Battershill — 2016
• Virginia Woolf: Prophet of “Pure Loss”Jane Goldman — 2015
• Blake and Bloomsbury: Mental WarfareDiane Gillespie — 2010
• The Reader-Brand: Tolstoy in England at the Turn of the CenturyGwendolyn J. Blume — 2011
• Virginia Woolf and the persistent question of class: The protean nature of class and selfMary C. Madden — 2006

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