Music perception and octave generalization in rhesus monkeys.

Keywords

Melody, Octave (electronics), Generalization, Tonality, Perception

References

• Tone chroma is functional in melody recognitionHoward J. Kallman, Dominic W. Massaro — 1979
• Tune discrimination in monkeys (Cebus apella) and in ratsM. R. D’Amato, David P. Salmon — 1982
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• Scale structure and similarity of melodies.James C. Bartlett, W. Jay Dowling — 1988
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• The psychological representation of musical pitch in a tonal contextCarol L. Krumhansl — 1978
• Octave generalization and tune recognitionDiana Deutsch — 1972
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• Relational and absolute stimulus learning by monkeys in a memory task.Anthony A. Wright, Robert G. Cook, Donald F. Kendrick — 1989
• Exploring the Sensitivity to Structure in MusicAnnabel J. Cohen — 1982
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• Children's perception of familiar melodies: The role of intervals, contour, and key.Sandra E. Trehub, Barbara A. Morrongiello, Leigh A. Thorpe — 1985
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• Octave generalization, pitch discrimination, and loudness thresholds in the white rat.H. R. Blackwell, Harold Schlosberg — 1943
• Natural Musical Intervals: Evidence From Infant ListenersE. Glenn Schellenberg, Sandra E. Trehub — 1996
• Statistics for psychologistsC. Alan Boneau, William L. Hays — 1963
• Processing of complex auditory stimuli (tunes) by rats and monkeys (Cebus apella)M. R. D’Amato, David P. Salmon — 1984

Cited by

• What Laboratory Research has Told Us about Dolphin CognitionLouis M. Herman — 2010
• Cortical representations of pitch in monkeys and humans.Daniel Bendor, Xiaoqin Wang — 2006
• Overtone-based pitch selection in hermit thrush song: Unexpected convergence with scale construction in human musicEmily Doolittle, Bruno Gingras, Dominik Endres — 2014
• Early stages of melody processing: stimulus-sequence and task-dependent neuronal activity in monkey auditory cortical fields A1 and R.Pingbo Yin, Mortimer Mishkin, Mitchell L. Sutter — 2008
• Do ferrets perceive relative pitch?Pingbo Yin, Jonathan B. Fritz, Shihab Shamma — 2010
• Tone-sequence analysis in the auditory cortex of awake macaque monkeysMichael Brosch, Henning Scheich — 2007
• The Uneven Interface Between Culture and Biology in Human MusicBjørn Merker — 2006
• Representation of pitch chroma by multi-peak spectral tuning in human auditory cortexMichelle Moerel, Federico De Martino, Roberta Santoro — 2014
• Perception of Frequency, Amplitude and Azimuth of a Vibratory Dipole-Source by the Octavolateralis System of Goldfish (Carassius auratus)Deena D. Dailey, Christopher B. Braun — 2011
• Asymmetries in the Discrimination of Musical Intervals: Going Out-of-Tune Is More Noticeable Than Going In-TuneE. Glenn Schellenberg — 2001
• Thoughts on an Empirical Approach to the Evolutionary Origins of MusicJosh H. McDermott, Marc D. Hauser — 2006
• Inducing Disorders in Pitch Perception and Production: a Reverse-Engineering ApproachPsyche Loui, Anja Hohmann, Gottfried Schlaug — 2010
• Searching for the origins of musicality across speciesMarisa Hoeschele, Hugo Merchant, Yukiko Kikuchi — 2015
• Stimulus-dependent flexibility in non-human auditory pitch processingMicah R. Bregman, Aniruddh D. Patel, Timothy Q. Gentner — 2011
• THE ORIGINS OF MUSIC: INNATENESS, UNIQUENESS, AND EVOLUTIONJosh H. McDermott, Marc D. Hauser — 2005
• Modes on the Move: Interval Cycles and the Emergence of Major-Minor TonalityMatthew Woolhouse — 2010
• Music and Language: A Developmental ComparisonErin McMullen, Jenny R. Saffran — 2004
• Five fundamental constraints on theories of the origins of musicBjørn Merker, Iain Morley, Willem Zuidema — 2015
• FUNDAMENTAL ISSUES IN THE EVOLUTIONARY PSYCHOLOGY OF MUSIC: Assessing Innateness and Domain SpecificityTimothy Justus, Jeffrey J. Hutsler — 2005
• Object classification by echolocation in nectar feeding bats: size-independent generalization of shape.Dagmar von Helversen — 2004

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