Comparing Contemporary Commercial and Classical Styles: Emotion Expression in Singing.
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Summary
The acoustic correlates of the vocal expression of emotions in contemporary commercial music (CCM) and classical styles of singing are examined to help improve the training of interpretation in singing.
- Type
- article
- Published
- 2019-11-07
- Cited by
- 13
- References
- 40
- OpenAlex
- https://openalex.org/W2987932714
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:207935530
Keywords
Vibrato, Formant, Jitter, Vowel, Sadness
References
- Emotions in Vowel Segments of Continuous Speech: Analysis of the Glottal Flow Using the Normalised Amplitude Quotient
- Perception and Acoustics of Emotions in Singing
- Source-Vocal Tract Interaction in Female Operatic Singing and Theater Belting
- The phonetic description of voice quality
- The Singing Tutor: Expression Categorization and Segmentation of the Singing Voice
- Emotion in the singing voice—a deeperlook at acoustic features in the light ofautomatic classification
- Principles of voice production
- Toward the simulation of emotion in synthetic speech: a review of the literature on human vocal emotion.
- Comparing the acoustic expression of emotion in the speaking and the singing voice
- Vocal markers of emotion: Comparing induction and acting elicitation
- Monopitched Expression of Emotions in Different Vowels
- Perception of emotional valences and activity levels from vowel segments of continuous speech.
- Taxonomy of singers used as subjects in scientific research.
- Articulatory configuration and pitch in a classically trained soprano singer.
- Singing emotionally: a study of pre-production, production, and post-production facial expressions
- Acoustic concomitants of emotional expression in operatic singing: the case of Lucia in Ardi gli incensi.
- Expression of emotion in voice and music.
- The influence of vocal training and acting experience on measures of voice quality and emotional genuineness
- Expressivity in singing. A review of some recent investigations
- Influence of emotional expression, loudness, and gender on the acoustic parameters of vibrato in classical singers.
Cited by
- Training the Vocal Expression of Emotions in Singing: Effects of Including Acoustic Research-Based Elements in the Regular Singing Training of Acting Students.
- Lyric or Dramatic - Vibrato Analysis for Voice Type Classification in Professional Opera Singers
- Objective Measures of Two Musical Interpretations of an Excerpt From Berlioz's "La mort d'Ophélie".
- A Demographic Study of Professional Belters: Who They Are and What They Do.
- Towards a Vocal and Acoustic Description of Kapa Haka.
- PERSONALITY TRAITS IN SINGERS PERFORMING VARIOUS MUSIC STYLES AND WITH DIFFERENT SINGING STATUS
- High and Wide: An In Silico Investigation of Frequency, Intensity, and Vibrato Effects on Widely Applied Acoustic Voice Perturbation and Noise Measures.
- Coaching Opera Secco Recitatives by Using Singers' Native Dialects: A Pilot Study.
- Towards Improved Auditory-Perceptual Assessment of Timbres: Comparing Accuracy and Reliability of Four Deconstructed Timbre Assessment Models.
- Resonance Strategies in the Upper Range of Western Operatic Tenors.
- Attitude Toward Seeking Vocal Health Care Among Non-Classical Singers.
- A COMPONENT MODEL OF POP VOCAL PERFORMANCE COMPETENCE OF FUTURE MUSIC TEACHERS
- How do listeners perceive emotional genuineness in musical theatre performers, and how might this help to inform the pedagogy of acting through song?
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