Nuclear hallucinations: creating the vantage point of tamasha through the use of comic modes and irony in order to destabilise the authoritarian knowledge claims of Indian pro-nuclear documentaries
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- Type
- dissertation
- Published
- 2017-01-01
- Cited by
- 0
- References
- 178
- Access
- Open access
- OpenAlex
- https://openalex.org/W2795228757
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:158795851
Keywords
Irony, Appropriation, Narrative, Realm, Context (archaeology)
References
- Emotional realism and actuality: The function of prosumer aesthetics in film
- The Structure of Knowledge in Westernized Universities: Epistemic Racism/Sexism and the Four Genocides/Epistemicides of the Long 16th Century
- Discovery as invention: a constructivist alternative to the classic science documentary
- Humorous Political Stunts: Nonviolent Public Challenges to Power
- Koodankulam Anti-Nuclear Movement: A Struggle for Alternative Development?
- Indian folk theatres
- Encyclopedia of the Documentary Film
- Small Media, Big Revolution: Communication, Culture, and the Iranian Revolution
- Comic Relief: A Comprehensive Philosophy of Humor
- Documentary films and national awakening
- For Documentary: Twelve Essays
- Government and Politics in India
- From bonbon to cha-cha : Oxford dictionary of foreign words and phrases
- Representing Reality: Issues and Concepts in Documentary
- Nāgārjuna's Madhyamaka : a philosophical introduction
- Voice to the Voiceless: The Power of People's Theatre in India
- Blurred Boundaries: Questions of Meaning in Contemporary Culture
- The Documentary: Politics, Emotion, Culture
- The subject of documentary
- Anthem dictionary of literary terms and theory
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