Digital Media, Participatory Culture, and Difficult Heritage: Online Remediation and the Trans-Atlantic Slave Trade
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- Type
- article
- Published
- 2015-09-02
- Cited by
- 20
- References
- 56
- Access
- Open access
- OpenAlex
- https://openalex.org/W2322373941
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:155162004
Keywords
Citizen journalism, Social media, Participatory culture, Digital media, Outreach
References
- Dissonant Heritage: The Management of the Past as a Resource in Conflict
- Confronting the Challenges of Participatory Culture: Media Education for the 21st Century
- The Day of Archaeology: blogging and online archaeological communities
- Pandora’s box: the future of cultural heritage on the world wide web
- Emancipatory Digital Archaeology
- Introduction : remembering places of pain and shame
- Heritage and Social Media : Understanding heritage in a participatory culture
- Senses of place: remediations from text to digital performance
- The Archaeology of Digital Abandonment: Online Sustainability and Archaeological Sites
- Ruins in Reverse. An Exhibition at Tate Modern (March 1st - June 24th 2013)
- Your Place or Mine? Crowdsourced Planning, Moving Image Archives and Community Archaeology
- New Media: A Critical Introduction
- Slavery, Contested Heritage and Thanatourism
- Exorcising the ‘plague of fantasies’: mass media and archaeology's role in the present; or, why we need an archaeology of ‘now’
- Vision, Media, Noise and the Percolation of Time
- Interpreting the Bicentenary in Britain
- Tourists' perceptions of heritage tourism development in Danish‐Osu, Ghana
- Archaeologies that hurt; descendants that matter: A pragmatic approach to collaboration in the public interpretation of African-American archaeology
- The Varied Colors of Slave Heritage in West Africa
- Fractured Media: Challenging the Dimensions of Archaeology’s Typical Visual Modes of Engagement
Cited by
- Online Tribes and Digital Authority: What Can Social Theory Bring to Digital Archaeology?
- Shit, Blood, Artifacts, and Tears: Interrogating Visitor Perceptions and Archaeological Residues at Ghana's Cape Coast Castle Slave Dungeon
- EmboDIYing Disruption: Queer, Feminist and Inclusive Digital Archaeologies
- Gaze the Struggle of Others: The Representations of Rural Places and People of Indonesia in Tourism Media for Australian Tourists
- ‘Violent care’? A response to Lynn Meskell and Trinidad Rico
- Archaeological heritage in the age of digital colonialism
- Why forget us? Developing the Three-Town enslaved relics as alternative sites of commemoration in southeastern Ghana
- Gulag Heritage Conservation, Visualisation and Interpretation for Tourism Development: A Multi-Stakeholder Perspective
- Participatory Heritage On Social Networking Sites: The Discussion of Main Theoretical Concepts
- Cultural heritage through the lens of COVID-19
- Difficult heritage on social network sites: An integrative review
- Battle or ballet? Metaphors archaeological Facebook administrators live by
- Design, content validity, and inter-observer reliability of the ‘Digitization of Cultural Heritage, Identities, and Education’ (DICHIE) instrument
- The Vernacular of Disaster: The Rhetoric and Memory of Volcanic Eruption at Museum Gunung Merapi, Indonesia
- An Ontology of Semiotic Activity and Epistemic Figuration of Heritage, Memory and Identity Practices on Social Network Sites
- The Auckland War Memorial Museum Online Cenotaph: community participation, collective memorialisation and social cohesion
- Local Government Social Media Strategy for Public Awareness and Heritage Preservation
- Bentuk budaya partisipasi: Studi deskriptif kualitatif pada fandom bobotoh
- Nomadyczne dziedzictwo. O migracjach rzeczy w przyszłość
- ‘Never Forget that This Has Happened’: Remembering and Forgetting Violence
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