Do Voices Matter? Vocality, Materiality, Gender Performativity
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- Type
- article
- Published
- 2011-03-01
- Cited by
- 72
- References
- 42
- OpenAlex
- https://openalex.org/W2161321524
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:146671626
Keywords
Performativity, Materiality (auditing), Performative utterance, Aesthetics, Subjectivity
References
- When All That Is Solid Melts Into Language: Judith Butler and the Question of Matter
- Voice as a technology of selfhood : towards an analysis of racialized timbre and vocal performance
- Judith Butler: Live Theory
- For More than One Voice: Toward a Philosophy of Vocal Expression
- Body Art/Performing The Subject
- The Scandal of the Speaking Body: Don Juan with J. L. Austin, or Seduction in Two Languages
- The Last Word: Women, Death, and Divination in Inner Mani
- Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig
- The Voice in Cinema
- A Voice and Nothing More
- Audible traces : gender, identity and music
- In The Break: The Aesthetics Of The Black Radical Tradition
- Kath Weston's Gender in Real Time: Power and Transience in a Visual Age
- The Audible Past
- Excitable Speech. A Politics of the Performative
- The Female Malady: Women, Madness and English Culture, 1830-1980
- The Science of Singing Voice
- Listening to Gender: A Response to Judith Halberstam
- Gramophone, Film, Typewriter
- Gender Trouble: Feminism and the Subversion of Identity
Cited by
- Playing with inequality: An ethnographic study examining the ambiguities of young children's death and violence play
- The Material Poetics of Digital Voice: A Creative-Critical Inquiry
- Gender in commercial radio in New Zealand: a critical discourse analysis of the “Secret Life of Girls”
- The sampling of bodily sound in contemporary composition : towards an embodied analysis
- Hearing Voice: A Theoretical Framework for Truth Commission Testimony
- Tom Waits and the Right of Publicity: Protecting the Artist's Negative Voice
- ‘The scream’: Meanings and excesses in early childhood settings
- The June Tyson Sessions: remixperiments with vocal materiality and the becoming-woman of cosmic music
- Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice
- The semiotics of security: infectious disease research and the biopolitics of informational bodies in the United States.
- Anthropology and Voice
- Body Modification and Trans Men
- ‘If you ever saw an Opera singer naked’: The social construction of the singer’s body
- Women's Narratives of Distress, Visiting Herbalists, and Being Well in the 21st Century
- “She Was Afraid That Somebody Would See”: The Gender Performativity of Female Yugoslav Singers in the Sixties
- ELECTROACOUSTIC VOICES: SOUNDS QUEER, AND WHY IT MATTERS
- Technology, Embodiment, and Affect in Voice Sciences
- Intersectional Androgyny in Cyberspace: Gender, Commercialization, and Vocality in Female Ryouseiruis' Music Videos
- Lasting Impressions: Ethnic Food Tour Guides and Body Work in Southwestern Sydney
- The contemporary countertenor in context: vocal production, gender/sexuality, and reception
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