On “Visual Pleasure and Narrative Cinema”

Keywords

Movie theater, Pleasure, Narrative, Aesthetics, Art

References

• Fetishism and CuriosityLaura Mulvey — 1996
• Screen Tastes: Soap Opera to Satellite DishesCharlotte Brunsdon — 1997
• Reflections on Feminist Film Studies, Early and LatePatrice Petro — 2004
• Film History and the Two Presents of Feminist Film TheoryJane M. Gaines — 2004
• The Female Spectator: Contexts and DirectionsJanet Bergstrom, Mary Ann Doane — 1989
• Imperial Leather: Race, Gender, and Sexuality in the Colonial ContestLorraine O'Donnell, Anne McClintock — 1998
• Visual Pleasure and Narrative CinemaLaura Mulvey — 1975
• Recent Approaches to Film FeminismsKathleen McHugh, Vivian Sobchack — 2004
• Women's Depiction by the Mass MediaGaye Tuchman — 1979
• Why I Did Not Want to Write This EssayLinda Williams — 2004
• Mulvey's ManifestoMandy Merck — 2007
• What Happened to the Philosophy of Film History?Jane M. Gaines — 2013
• Marlene, Dolls, and FetishismJudith Mayne — 2004
• Breaking the silence: The hidden injuries of neo-liberal academiaRosalind Gill — 2016
• Feminism and Geography: The Limits of Geographical KnowledgeJacquelin Burgess, Gillian Rose — 1994
• Statement: Psychoanalysis and FilmE. Buscombe, C. Gledhill, A. Lovell — 1975
• Beyond the Gaze: Recent Approaches to Film FeminismsKathleen McHugh, Vivian Sobchack — 2004
• Aesthetics and PoliticsTheodor Wiesengrund Adorno — 2014

Cited by

• Emancipations féminines, impasses patriarcales et promesses de la "relation pure" : les configurations des relations amoureuses dans les séries télévisées étasuniennes de 1950 à 2010Céline Morin — 2014
• “We know what we are, but know not what we may be”: Victorian Adaptations of the Shakespearean GazeJoanna Elizabeth Ruth Zimmerman — 2014
• The Shifting Aesthetics of Expertise in the Sharing Economy of Scientific MedicineRosemary Harding — 2018
• Grotesque Drag Queens and Toxic Matriarchs: Motherhood and The Subversive Female Body in Disney Animated FilmsAllison Footit — 2013
• Just Like Everyone Else? Locating South Asians in 21st Century American Popular MediaBhoomi K. Thakore — 2013
• Audio-Visual: Disembodied Voices in TheoryAnaïs Le Fèvre-Berthelot — 2013
• Performing the multiple : dancing a differently configured subjectivityJillian Peña — 2013
• Family Apart: The Aesthetic Genealogy Of Korean War MemoriesW. Yi — 2013
• Alison’s Antithesis in The Marriage of Sir GawainKristin Bovaird-Abbo — 2013
• Strange bedfellows? Visual media use and intermediality in Shakespeare productionsShari Lynn Foster — 2013
• "La vida secreta de las palabras": de mujeres, narrativas y violenciasMaría José Gámez Fuentes — 2013
• Is this working out?: a spatial analysis of women in the gymKristine E. Newhall, Susan Birrell, Ellen Lewin — 2013
• You had to have been there : experimental film and video, sound, and liveness in the New York undergroundAlison Wielgus — 2014
• 21st Century Orientals: The Displacement of Eastern Identities in Contemporary Hollywood AdaptationAnnie Wang — 2014
• Difference and Desire as Conditions of Narrative : Focusing on the Case, the FilmMookyu Kim — 2013
• Notes on the Politics of the Auteur : Stanley Kubrick, Wes Anderson, and the SpectatorMichael D. Perreault — 2013
• Sell (It) Yourself: Marketing Pleasure in Digital DIYTara Janine Liss-Marino — 2014
• Decoding the donor gaze: documentary, aid and AIDS in AfricaRegina Kessy — 2014
• Deterritorialising patriarchal binary oppositions: Deleuze & Guattari, Virginia Woolf, Masculinities and Film AdaptationsDolors Ortega Arévalo — 2013
• Researching Women in Silent Cinema: New Findings and PerspectivesMonica Dall’Asta, Victoria Duckett, Lucia Tralli — 2013

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