How poets see the world : the art of description in contemporary poetry
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- Type
- article
- Published
- 2005-12-01
- Cited by
- 31
- References
- 0
- OpenAlex
- https://openalex.org/W620001769
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:190912041
Keywords
Poetry, Literature, Art, History
References
No references recorded for this paper.
Cited by
- Images and Violence in the Poetry of Anthony Hecht
- The language of information: Intermedia appropriation and contemporary literary form
- Desire and Agency in the Modern Women's Sonnet
- The Culture of Ekphrasis in America's Age of Print, 1830-1880.
- The Ethics of Ekphrasis: The Turn to Responsible Rhetoric in Mid-Twentieth Century American Poetry
- If You See Something, Say Something: A Look at Experimental Writing on Art
- Models of Network Reliability: Analysis, Combinatorics, and Monte Carlo
- The Afterlife of the City: Reconsidering Urban Poetic Practice
- Sonnet in the 21st Century: George Szirtes’s Sonnet Sequences
- A VISUAL STUDIES APPROACH TO CRITICAL HISTORIOGRAPHY
- The Influence of Eliot, Hölderlin, and Wordsworth on John Ashbery's Riverine Poetics
- John Ashbery and Hyperpastoral Suburbia
- Leda and the stylisticians
- Arun Kolatkar’s description of India
- APPROPRIATION AND CONTEMPORARY LITERARY FORM
- Voices of the Exhibition:The Rise of Ekphrasis during the 20th Century through Imagism and Visual Art Museums
- 'Poems to the Sea', and, Painterly poetics : Charles Olson, Robert Creeley, Cole Swensen
- The Poet as Painter: A Study in John Ashbery's "Self-Portrait in a Convex Mirror"
- Jorie Graham's Passion for the Reel: The Lyric Subject Encounters the Image
- Repetition and Reactance in Graham’s "Underneath" Poems
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