A line of sight : American avant-garde film since 1965

Keywords

Movie theater, Filmmaking, Schism, Counterculture, Art

References

No references recorded for this paper.

Cited by

• MEDIA ARTS CENTERS AS ALTERNATIVE ARCHIVAL SPACES: INVESTIGATING THE DEVELOPMENT OF ARCHIVAL PRACTICES IN NON-PROFIT MEDIA ORGANIZATIONSLindsay Kistler Mattock — 2014
• Mediating the mill: steel production in filmSara Anne Gooch — 2012
• You had to have been there : experimental film and video, sound, and liveness in the New York undergroundAlison Wielgus — 2014
• Vancouver and the quotidian: exploring everyday urbanity through filmLaurynas Navidauskas — 2010
• Representations of dying in contemporary visual culture and the ethics of spectatorshipJohn Edward Horne — 2013
• NEW VERNACULARS AND FEMININE ECRITURE; TWENTY- FIRST CENTURY AVANT-GARDE FILMRuth Novaczek — 2015
• Ideology, the Counterculture, and the Avant Garde: Positioning the Filmmaker and the Spectator in Four Films of Late-1960s AmericaMary B. Cantoral — 2015
• Cine estructural de found footage: 133, de Eugènia Balcells y Eugeni BonetAlbert Alcoz — 2011
• A History of Swedish Experimental Film Culture: From Early Animation to Video ArtLars Gustaf Andersson, John Sundholm, Astrid Söderbergh Widding — 2010
• Unseen Cinema: Early American Avant-Garde Film 1894–1941 (review)William C. Wees — 2007
• An Ethics and an Aesthetics of InterviewingScott MacDonald — 2008
• The Academy and the Avant-Garde: A Relationship of Dependence and ResistanceMichael Zryd — 2006
• Inherited Images: Reconfiguring Home Movies in Experimental CinemaKelsey M. Haas — 2013
• Archives of Modernist CinephiliaJustus Nieland — 2007
• Moving Cinema: Experimental Distribution and the Development of Anthology Film ArchivesKristen Alfaro — 2012
• Apprehensions of time: Michelangelo Antonioni and experimental cinema, 1960-1975.M. Nardelli — 2006
• In a (Not So) Silent Way: Listening Past Black Visuality in SymbiopsychotaxiplasmCharles “Chip” P. Linscott — 2016
• Mapping the Traces of the Media Arts Center MovementLindsay Kistler Mattock — 2018
• The essay in Spanish contemporary audiovisual media: definition, production and trendsNorberto Mínguez Arranz, Cristina Manzano Espinosa — 2020
• From car frenzy to car troubles: automobilites, highway driving and the road movie in experimental filmKornelia Boczkowska — 2021

Related papers

• Edward Said and the Avant-GardeDavid LeHardy Sweet — 2005
• Avant-garde and criticismKlaus Beekman, Jan de Vries — 2007
• The European Avant-Garde: Text and ImageJonathan Owen — 2014
• Mapping Old Traces of the New. Towards a Historical Topography of Early Twentieth-Century Avant-Garde(s) in the European Cultural Field(s)H.F. van den Berg — 2006
• Histories of the future: mapping the avant-gardeIan Christie — 2008
• Deconstructing Japanese Avant-Garde as EpigonismОльга Викторовна Исаева — 2018
• Hollywood Extras: One Tradition of "Avant-Garde" Film in Los AngelesDavid E. James — 1999
• On the ruins of the historical avant‐garde: The institution of art and its contemporary exigenciesAleš Debeljak — 1998