Preservationist Aesthetics: Memory, Trauma and the New Global Enclosures

References

• Trauma and the Specters of Enslavement in Morrison's BelovedR. Clifton Spargo — 2002
• The Aesthetic UnconsciousRoland Végsö — 2013
• Reporter photographe à AuschwitzÉlisabeth Pagnoux — 2001
• Art and Objecthood: Essays and ReviewsMichael Fried — 1998
• De la croyance photographiqueGérard Wajcman — 2001
• Christian BoltanskiRebecca Caines — 2004
• Cosmopolitanism and the Geographies of FreedomD. Harvey — 2009
• Museums and MemorySusan Crane — 2000
• Lacan and the politicalYannis Stavrakakis — 1999
• Haunted Images: Film, Ethics, Testimony, and the Holocaust2007
• Beyond the pleasure principle and other writingsSigmund Freud, John Reddick, Mark Edmundson — 2003
• Always Already Again : Trauma Tourism and the Politics of Memory CultureLaurie Beth Clark — 2010
• Present Pasts: Urban Palimpsests and the Politics of MemoryRolf J. Goebel — 2004
• W.G. Sebald. Image, Archive, ModernityRuth Vogel-Klein — 2011
• The Location of CultureHomi Κ. Bhabha — 1994
• The Origin of German Tragic DramaDon Callen, Walter Benjamín — 1977
• The Museum Establishment and Contemporary Art: The Politics Of Artistic Display In France After 1968Rebecca J. DeRoo — 2014
• The Speculative Turn: Continental Materialism and RealismLevi R. Bryant, Nick Srnicek, Graham Harman — 2011
• Writing History, Writing TraumaRichard L. Rubenstein — 2003
• Human Rights In CameraSharon Sliwinski — 2011

Cited by

No citing papers recorded for this paper.

Related papers

No related papers recorded.