Cross-dressing to Backbeats: An Exploration of the Practices, Wo/men Producers, and History of Electroclash

References

• The Fourth Track: Re-visiting the Cassette-Based PortastudioSamuel Thulin — 2009
• The History of Sexuality: An IntroductionMichel Foucault — 2012
• 'do u produce?': Subcultural Capital and Amateur Musicianship in Peer-to-Peer NetworksAndrew Whelan — 2006
• Feminist Inquiry: From Political Conviction to Methodological InnovationM. Hawkesworth — 2006
• The new music : the sense behind the soundJoan Peyser — 1971
• Echo and ReverbPeter Doyle — 2005
• Prophets of the Hood: Politics and Poetics in Hip HopPerry, Imani — 2004
• Women and Popular Music: Sexuality, Identity and SubjectivityWhiteley, Sheila 1941-2015 — 2000
• Aboriginal Music in Contemporary Canada: Echoes and ExchangesAnna Hoefnagels, Beverley Diamond — 2012
• Love Saves the Day: A History of American Dance Music Culture, 1970-1979T. Lawrence — 2004
• Visions of Sound: Musical Instruments of First Nations Communities in Northeastern AmericaBeverley Diamond, Michael Cronk, Franziska Von Rosen — 1995
• De l'organisation au déroulement d'événements rave à Montréal : étude des mécanismes de régulation socialeFrédéric Maari — 2010
• Percussion: Drumming, Beating, StrikingJohn Mowitt — 2002
• Noise, Water, Meat: A History of Sound in the ArtsD. Kahn — 1999
• Tracing out an Anglo-Bohemia: Musicmaking and Myth in MontréalGeoff Stahl — 2001
• Sonic Warfare: Sound, Affect, and the Ecology of FearSteve Goodman — 2009
• Electronic and Experimental Music: Technology, Music, and CultureThom Holmes — 1985
• What's so queer about composing? Exploring Attali's concept of composition from a queer perspectiveVictoria Moon Joyce — 1997
• Discographies: Dance, Music, Culture and the Politics of SoundJ. Gilbert, Ewan R Pearson — 1999
• Musicology and difference: Gender and sexuality in music scholarshipMario J. S. G. Champagne — 1993

Cited by

No citing papers recorded for this paper.

Related papers

No related papers recorded.