“Female Voices in Male Bodies”: Castrati, Onnagata, and the Performance of Gender through Ambiguous Bodies and Vocal Acts
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- Type
- dissertation
- Published
- 2008-08-29
- Cited by
- 0
- References
- 46
- Access
- Open access
- OpenAlex
- https://openalex.org/W51175197
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:186772718
Keywords
Gender studies, Psychology, Communication, Sociology
References
- A Kabuki Reader: History and Performance
- Moreschi: The Last Castrato
- The Changing Room : Sex, Drag and Theatre
- Beautiful Boys/Outlaw Bodies: Devising Kabuki Female-Likeness
- The counter tenor
- Speech, Music, Sound
- Opera in the Flesh
- Kabuki : Baroque fusion of the arts
- Human Growth After Birth
- Performance: A Critical Introduction
- The Castrati in Opera
- The Manly Masquerade: Masculinity, Paternity, and Castration in the Italian Renaissance
- Principles of voice production
- The Gender of Onnagata As the Imitating Imitated: Its Historicity, Performativity, and Involvement in the Circulation of Femininity
- Castration: An Abbreviated History of Western Manhood
- Eunuchs and Castrati: A Cultural History
- Medicine and Music The Castrati in Opera
- Male colors : the construction of homosexuality in Tokugawa Japan (1603-1868)
- New Kabuki encyclopedia : a revised adaptation of Kabuki jiten
- Reforming Achilles:gender, opera seria and the rhetoric of the enlightened hero
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