Human-Computer Music Performance: From Synchronized Accompaniment to Musical Partner
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Summary
The development of techniques for live music performance are reviewed and the efforts to establish a new direction, Human-Computer Music Performance (HCMP), as a framework for a variety of coordinated studies are outlined.
- Type
- article
- Published
- 2013-01-01
- Cited by
- 7
- References
- 38
- OpenAlex
- https://openalex.org/W47505638
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:2781804
Keywords
Performing arts, Computer music, Computer science, Variety (cybernetics), Implementation
References
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- Estimating the Error Distribution of a Single Tap Sequence without Ground Truth
- A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance Systems
- Toward a computational model of expression in music performance: The GERM model
- The Interrogator as Critic: The Turing Test and the Evaluation of Generative Music Systems
- Supporting traditional music-making: designing for situated discretion
- Toward a Framework for Interactive Systems to Conduct Digital Audio and Video Streams
- Music score alignment and computer accompaniment
- A Review of Automatic Rhythm Description Systems
- Swing Ratios and Ensemble Timing in Jazz Performance: Evidence for a Common Rhythmic Pattern
- B-Keeper: a beat-tracker for live performance
- A tutorial on onset detection in music signals
- Musical Performance: A Synthesis-by-Rule Approach
Cited by
- Active Scores: Representation and Synchronization in Human–Computer Performance of Popular Music
- Investigating the cognitive foundations of collaborative musical free improvisation: Experimental case studies using a novel application of the subsumption architecture
- A Subsumption Agent for Collaborative Free Improvisation
- MuEns: A Multimodal Human-Machine Music Ensemble for Live Concert Performance
- Composing and realising a game-like performance for disklavier and electronics
- A SINGING INSTRUMENT FOR REAL-TIME VOCAL-PART ARRANGEMENT OF MUSIC AUDIO SIGNALS
- The Open University ’ s repository of research publications and other research outputs A Subsumption Agent for Collaborative Free Improvisation
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