A functionalist perspective on emotional communication in music performance

Keywords

Perspective (graphical), Psychology, Cognitive psychology, Epistemology, Cognitive science

References

No references recorded for this paper.

Cited by

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• The Role of Timing Patterns in Recognition of Emotional Expression from Musical PerformancePatrik N. Juslin, Guy Madison — 1999
• Emotional ratings of music excerpts in the western art music repertoire and their self-organization in the Kohonen neural networkKari Kallinen — 2005
• Affect, Attitude and Evaluation of Multisensory PerformancesErik Lindström, Antonio Camurri, Anders Friberg — 2005
• Inside the conductor's jacket: analysis, interpretation and musical synthesis of expressive gestureTeresa Marrin Nakra, Tod Machover, Rosalind W. Picard — 2000
• Cue utilization in communication of emotion in music performance: relating performance to perception.Patrik N. Juslin — 2000
• Beyond cognitivism : alternative perspectives on the communication of musical structure through performanceFavio Shifres — 2007
• Extracting Emotions and Communication Styles from Vocal SignalsLicia Sbattella, Luca Colombo, Carlo Rinaldi — 2014
• Shared neural mechanisms for processing emotions in music and vocalizationsAlice Mado Proverbio, Francesco De Benedetto, Martina Guazzone — 2019
• The Communication of Timbral Intentions Between Pianists and Listeners and Its Dependence on Auditory-Visual ConditionsShen Li, Renee Timmers, Weijun Wang — 2021
• A Novel Approach to Teaching Emotional Expression in Music PerformanceJessika Karlsson — 2008

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