Sources of Embodied Creativity: Interactivity and Ideation in Contact Improvisation
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Summary
The answer is that dancers produce a stream of momentary micro-intentions that say “yes, and”, or “no, but” to short-lived micro-affordances, which allows both individuals to skillfully continue, elaborate, tweak, or redirect the collective movement dynamics.
- Type
- dissertation
- Published
- 2018-05-23
- Cited by
- 82
- References
- 143
- Access
- Open access
- OpenAlex
- https://openalex.org/W29882858
- Semantic Scholar
- https://api.semanticscholar.org/CorpusID:46966092
Keywords
Physics, Humanities, Art
References
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- Eye gaze as a means of giving and seeking information during musical interaction
- Quo vadis pragmatics? From adaptation to participatory sense-making
- Contact improvisation dance practice predicts greater mu rhythm desynchronization during action observation.
- Efficient search under constraints and not working memory resources supports creative action emergence in a convergent motor task.
- How Radical Is Embodied Creativity? Implications of 4E Approaches for Creativity Research and Teaching
- Interactivity and Languaging
- Nuances of touch: embodying and communicating nonverbal consent in contact improvisation
- Technoperformances: using metaphors from the performance arts for a postphenomenology and posthermeneutics of technology use
- Effects of Movement Improvisation and Aerobic Dancing on Motor Creativity and Divergent Thinking
- A Perspective on Implementing Movement Sonification to Influence Movement (and Eventually Cognitive) Creativity
- Dimensions of Musical Creativity
- Dances with dogs: interspecies play and a case for sympoietic enactivism
- Decision-making in Shiatsu bodywork: complementariness of embodied coupling and conceptual inference
- The neural basis of creative production: A cross-modal ALE meta-analysis
- Metastable Coordination Dynamics of Collaborative Creativity in Educational Settings
- Shared Diminished Reality: A New VR Framework for the Study of Embodied Intersubjectivity
- The dynamics of musical participation
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