Dynamic representation of musical structure

Keywords

Representation (politics), Musical, Linguistics, Computer science, Art

References

• Synthetic Rehearsal: Training the Synthetic PerformerBarry Vercoe, Miller Puckette — 1985
• Pattern in musicHerbert A. Simon, Richard K. Sumner — 1992
• On the perception of meterBenjamin Miller, Don L. Scarborough, Jacqueline A. Jones — 1992
• Temporal-Pattern Learning in Neural ModelsCarme Torras i Genís — 1985
• The intonational system of EnglishMark Liberman — 1979
• Representing musical structurePeter Howell, Robert West, Ian Cross — 1991
• An On-Line Algorithm for Real-Time AccompanimentRoger B. Dannenberg — 1984
• Following an Improvisation in Real TimeRoger B. Dannenberg, Bernard Mont-Reynaud — 1987
• Dynamics--the geometry of behaviorRalph Abraham, Chris Shaw — 1983
• Exploring the computational capabilities of recurrent neural networksJohn F. Kolen — 1995
• Tracking Musical Beats in Real TimePaul E. Allen, Roger B. Dannenberg — 1990
• Discrimination of short temporal intervals: A comparison of two modelsDavid J. Getty — 1975
• Feature linking via stimulus-evoked oscillations: experimental results from cat visual cortex and functional implications from a network modelEckhorn, Reitboeck, D. Arndt — 1989
• Determination of musical meter using the method of autocorrelation.Judith C. Brown — 1992
• Learning Recursive Distributed Representations for Holistic ComputationLonnie Chrisman — 1991
• A Generative Grammar for Jazz Chord SequencesMark Steedman — 1984
• Art 2: Self-Organization Of Stable Category Recognition Codes For Analog Input PatternsGail A. Carpenter, Stephen Grossberg — 1988
• Recursive Distributed RepresentationsJordan Pollack — 1990
• The Communication of Musical Metre in Piano PerformanceJohn Sloboda — 1983
• Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarityCaroline Palmėr, Carol L. Krumhansl — 1987

Cited by

• Micro-timing of backchannels in human-robot interactionBenjamin Inden, Zofia Malisz, Petra Wagner — 2014
• Rapid entrainment to spontaneous speech: A comparison of oscillator modelsBenjamin Inden, Zofia Malisz, Petra Wagner — 2012
• Suivi de tempo appliqué aux musiques improvisées, à la recherche du temps perdu. . .Gilbert Nouno — 2008
• Improvisation in interactive music systemsToby Gifford — 2011
• The dynamics of attending: How people track time-varying events.Edward W. Large, Mari Riess Jones — 1999
• Expectancy, attention, and time.Ralph M. Barnes, Mari Riess Jones — 2000
• Periodicity, Pattern Formation, and Metric StructureEdward W. Large — 2001
• On Temporal Generalization of Simple Recurrent NetworksDeliang Wang, Liu Xiaomei, Stanley C. Ahalt — 1996
• Techniques for Generative Melodies Inspired by Music CognitionAndrew R. Brown, Toby Gifford, Robert Davidson — 2015
• The development of rhythmic attending in auditory sequences: attunement, referent period, focal attending.Carolyn Drake, Mari Riess Jones, Clarisse Baruch — 2000
• Tapping to Ragtime: Cues to Pulse FindingJoel S. Snyder, Carol L. Krumhansl — 2001
• Dynamic perception-production oscillation model in human-machine communicationIgor Jauk, Ipke Wachsmuth, Petra Wagner — 2011
• Sensitivity to time change : The role of context and skillMari Riess Jones, William Yee — 1997
• Perceiving temporal regularity in musicEdward W. Large — 2002
• Modeling effects of rhythmic context on perceived duration: a comparison of interval and entrainment approaches to short-interval timing.J. Devin McAuley, Mari Riess Jones — 2003
• Meter and speechRobert F. Port — 2003
• Temporal Codes, Timing Nets, and Music PerceptionPeter Cariani — 2001
• Temporal Aspects of Stimulus-Driven Attending in Dynamic ArraysMari Riess Jones, Heather Moynihan, Noah MacKenzie — 2002
• Effect of deviations from temporal expectations on tempo discrimination of isochronous tone sequences.J. Devin McAuley, Gary R. Kidd — 1998
• When the pulse of the song goes on: Fade-out in popular music and the pulse continuity phenomenonReinhard Kopiez, Friedrich Platz, Silvia M. Müller — 2015

Related papers

• Time, our lost dimension: toward a new theory of perception, attention, and memory.Mari R. Jones — 1976
• Dynamic attending and responses to time.Mari Riess Jones, Marilyn G. Boltz — 1989
• Resonance and the Perception of Musical MeterEdward W. Large, John F. Kolen — 1994
• A Generative Theory of Tonal MusicPeter Child, Fred Lerdahl, Ray Jackendoff — 1983
• Perception of Temporal PatternsDirk-Jan Povel, Peter Essens — 1985
• Tempo sensitivity in auditory sequences: Evidence for a multiple-look modelCarolyn Drake, Marie-Claire Botte — 1993
• Emotion and Meaning in MusicLeonard B. Meyer — 1957
• The dynamics of attending: How people track time-varying events.Edward W. Large, Mari Riess Jones — 1999
• Perception of time as phase: toward an adaptive-oscillator model of rhythmic pattern processingJ. Devin McAuley — 1996